What Makes Sustainable Fashion? – The New York Times

By on February 13, 2020

That’s what Michael Kors was thinking about, anyway, when he revisited a cape (one of many in this collection, mixed in among the paisley pleats and hammered metal sequins, the organic denim and shearling) he first made 21 years ago. Originally modeled by Naomi Campbell, it was later worn by Joan Didion in a portrait by Tina Barney and now reimagined in an enveloping, striped cayenne pepper-colored cashgora — part security blanket, part urban cowgirl. That’s what he was thinking when he paired almost every look with Wellie-like riding boots, just as he did in his first collection, almost 40 years ago.

It’s this kind of signature that was missing from Prabal Gurung’s uptown amalgamation of snazzy white tuxedos, leopard print, diva dresses draped on the hip, explosive peplums and feather fripperies. Each look on its own with a champagne polish, but lacking identity. And thus, staying power.

Which is why the kitchen-sink craftiness of Eckhaus Latta, awkward and alluring at the same time, has so much resonance. There’s something entirely personal about its weird juxtapositions and connections, even as the results have become more sophisticated: high-waist acid-washed denim jeans with pockets placed back to front; irregular patchwork knits and slithery magenta nylon; cropped triangular jackets over shrunken pleated miniskirts; and juicy orange and blue sheaths with space age-y oval cutouts at the clavicle. They are unmistakably clothes to live in over time.

Source Article from https://www.nytimes.com/2020/02/12/style/New-york-fashion-week-gabriela-hearst-coach-rodarte.html
What Makes Sustainable Fashion? – The New York Times
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